There was a cat who lived alone. Until the day a new cat came . . . And so a story of friendship begins, following the two cats through their days, months, and years until one day, the older cat has to go. And he doesn’t come back.

Pick by Jessixa Bagley, Boats for Papa and The Pumphrey Brothers, The Old Boat:

BIG CAT, LITTLE CAT By Elisha Cooper

Publisher: Roaring Brook Press (March 14, 2017) Buy now

Can you tell me how Big Cat, Little Cat came about? Was it strictly inspired by your cats? There was one spread where I couldn't help but think of a long married couple. Was that intentional, or my odd reading of it? EC: "When our daughters were young we got two kittens. Then one of the cats died. My daughters were devastated. I was too, but having grown up on a farm, surrounded by a lot of life and death, I knew things would eventually be okay. We got another cat. I wrote this book with that cycle-of-life mind.

And yes, there’s a certain long-married-coupled-ness when two animals live with each other, though I wouldn’t want to anthropomorphize it too much. Could it be love? Our two boy cats spend their days chasing and biting each other in the head, then curl up in a ball and sleep together. Hmm, am I saying that’s marriage? Maybe."

How are Bear and Mouse doing these days? "Cats being cats, and life being short, the older cat — Bear — died a few years ago and we have a younger cat now. His name is Panda and at the moment he’s sitting at my feet with his chewed rabbit toy, asking me to throw it for him. He thinks he’s a dog."

For those who love Big Cat, Little Cat, can you recommend a few other titles that you think they might also enjoy? Mina by Matthew Forsythe. It just came out, and it’s so good. The pacing, the wordplay, the narrative turns. And there are cats in it! Other recent books that have jumped off the shelf for me: Town is by the Sea by Joanne Schwartz and Sydney Smith (I love what he does with light). Watercress by Andrea Wang and Jason Chin, I Am the Subway by Kim Hyo-eun, A House by Kevin Henkes. And I’m looking forward to the next Barbara McClintock!"

Are there other picture books you admire for their exploration of love and loss? "I’m sure there are other wonderful books out there that explore loss. One of the reasons though, that I wrote this book, is that many children’s books seem to shy away from hard subjects like grief. When they do, they’re a little proscriptive. Which says more about adults than it does about children. Children are curious."

This wide, wonderful world contains many things. Some things are as big as a family of bears; some are as small as a reflection in a puddle. Some things are felt rather than seen. In between it all is . . . you. What kinds of things will you collect?

Pick by Julie Falatko, Yours in Books and Antwan Eady, Nigel and the Moon:


Written by Carter Higgins and illustrated by Daniel Miyares

Published by Chronicle Books (April 12, 2022)

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Can you tell me the origin story behind Big and Small and In-Between?

CH: "For a very long time, my working title for this book was A Collection of Things, which is exactly what it was. I drafted this bit by bit over the late months of 2016, one three-line stanza at a time. The election cycle was bleak and draining. I was still working as a school librarian which was equal parts rewarding and exhausting. Stealing time here and there to squeeze out a little vignette was all I could create.

At first, it was a list of small things that made me happy. I wasn’t necessarily intent on these scratchy poems becoming a book, but it slowly started to take shape: here’s this list of small things, and the list is getting pretty big.

Well, what about small feelings, thoughts, or moments? Not just things. And just as the list of small things was starting to feel big, what would a small list of big things feel like? What about big feelings, thoughts, and moments? And if small moments can feel big, can big moments feel small?

After establishing the bookends of big and small, in-between was a very satisfying middle. I think it’s a book you can read from front to back, from big to small—but it’s also a book made up of very important moments you can flip to and sit with for a while."

For those who love Big and Small and In-Between, can you recommend a few other picture books that you think they might also enjoy?

"Some of my all-time favorite books are A Hole Is to Dig by Ruth Krauss and Maurice Sendak, Do You See What I See? by Helen Borten, and Roxaboxen by Alice McLerran and Barbara Cooney.

And I’m seeing now, for the first time, how connected Big and Small and In-Between is to this history. Look at that list: a book that celebrates how kids catalog and think about things, how visuals make us feel, and a magical tribute to childhood and imagination."

We're certainly living in a golden age of picture books, but are we living in a golden age of conceptual picture books? What are some other conceptual picture books you love?

"Conceptual picture books feel like such a natural extension of how kids interact with their world. Do you need a beginning, middle, and end to scrunch down and intensely study a roly-poly bug for a few quiet, magical minutes? Or marvel at a particular shade of magenta? Not really. But there’s a bigness to that experience, right? Kids are incredibly adept at understanding something mundane that actually isn’t at all. An experience is a narrative for them.

Two books I love that do this beautifully are Is Was by Deborah Freedman and Time is a Flower by Julie Morstad.

The design of Big and Small and In-Between is certainly a necessary partner that supports its conceptual narrative. It’s atypical in both page count and trim size and has four spectacular spreads with unfolding-paper-engineering. (I don’t want to know if there’s an actual term for that!) I’m always drawn to picture books that play with their physicality. The Stinky Cheese Man and Other Fairly Stupid Tales by Jon Scieszka and Lane Smith and Round Trip by Ann Jonas have remained incredibly formative for me."

You spent 10 years as a school librarian. How did you go about choosing your collection? I'm also curious how your time as a librarian shaped how you approach making picture books?

"School libraries are a living, breathing collection, incredibly specific to the community which they serve. Collection development (including the weeding!) was always one of my favorite parts of the job. Librarians make so many decisions: who are my patrons? Who aren’t they and how can I make sure they see they aren’t the only people in this world? What can I acquire that supports and extends the curriculum? What can I acquire that kids might otherwise not see because of the curriculum?

My elementary school librarian introduced me to Round Trip, and there’s a direct line from my first grade self to making books today.

Sometimes I wonder if a storytime on a random Tuesday was foundational to a kid’s whole entire life. I’m unlikely to know, and maybe they won’t for many years either! But picture books can be sticky like that."

What do you think the best picture books do? Is there a book that you think does this particularly well?

"The best picture books are keenly aware of the child reader, whether that means speaking their language, honoring the reality of their experiences, or observing with close-up precision what matters to them.

Books I love that do one (or more) of these well are Float by Daniel Miyares, I’ll Fix Anthony by Judith Viorst and Arnold Lobel, and The Carrot Seed by Ruth Krauss and Crockett Johnson. I love the way Tana Hoban’s books of photography do the same thing visually, particularly Look Again! and Shadows and Reflections."

What contemporary picture books do you hope will become the classics of the future?

"Okay, this is so difficult and we could discuss it for days, right? I hope readers many years from now are clutching beloved copies of Thank You, Omu! by Oge Mora, Have You Ever Seen a Flower? by Shawn Harris, and Stumpkin by Lucy Ruth Cummins."

What would be on your list of 100 best picture books of all time?

"My shelves might already be sagging with the books I’ve mentioned above, but I can’t make a list like that without Fish is Fish by Leo Lionni, A Tree is Nice by Janice May Udry and Marc Simont, Fortunately by Remy Charlip, and Clocks and More Clocks by Pat Hutchins."

What picture books coming out in 2022 are you most looking forward to reading?

"I am very much looking forward to To Make by Danielle Davis and Mags DeRoma. I’m positive it’s going to hit the sweet spot of everything I love: sparkly language, observant and true, a visual treat that celebrates childhood."

When Nigel looks up at the moon, his future is bright. He imagines himself as…an astronaut, a dancer, a superhero, too! But it’s Career Week at school, and Nigel can’t find the courage to share his dreams. It’s easy to whisper them to the moon, but not to his classmates—especially when he already feels out of place.

Max's Boat Pick:


Written by Antwan Eady and illustrated by Gracey Zhang

Publisher: Katherine Tegen Books (February 15, 2022)

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Can you tell me the origin story behind Nigel and the Moon?

AE: "Thank you for this question. Nigel's a story about a young boy who's afraid to tell the world his dreams, so he shares them with the moon at night. I was inspired by my childhood and my love for the moon. The distance between myself and the moon felt like a safe space. I didn't have the language for it in my younger years, but looking back, I realize that's what drew me to it. So, I built upon that. I also used this story to process grief. In the story, Nigel's parents have the same jobs that my parents once had. This was my way of honoring my late parents. But I also wanted to highlight our everyday heroes...ordinary people doing extraordinary things."

What contemporary picture books do you hope will become the classics of the future? "Love this question! Off the top of my head, here are a few that instantly come to mind...books that I've sat with, revisited, and studied. The Old Truck by Jarrett and Jerome Pumphrey, Drawn Together by Minh Lê and Dan Santat, I Talk Like a River by Jordan Scott and Sydney Smith, The Day You Begin by Jacqueline Woodson and Rafael López, The Night Gardener by Terry and Eric Fan, Watercress by Andrea Wang and Jason Chin. A recent book that I love, and I’m certain I’ll study one day, is Soul Food Sunday by Winsome Bingham and C.G. Esperanza."

What picture books coming out in 2022 are you most looking forward to reading? Big and Small and In-Between by Carter Higgins and Daniel Miyares, The Blur by Minh Lê and Dan Santat, Lizzy and the Cloud by The Fan Brothers, and John's Turn by Mac Barnett and Kate Berube."

Do you have a favorite bookstore and / or library? "Bookstore - The Storybook Shoppe in downtown Bluffton, South Carolina. This bookstore has everything I love about children's books, and you can feel it as soon as you walk through those doors. It's magical. They only carry children's books too.

I also love Live Oak Public Libraries in Savannah, Georgia. Years ago, when I was starting out, I researched picture books at these libraries. The librarians there were always so helpful. They believed in me, too. Sometimes they'd give me books straight from the cart before they were shelved. haha."